Taegugki: The Brotherhood of War Trailer (American version)
The trailer opens with a fast-paced sequence of clips
showing soldiers shooting machine guns, a soldier flying through the air after
an explosion. Then it slows down to
focus on a man slowly standing up as soldiers race past him, away from
something in front of him. The sound in
the background fades away to slow, dramatic music. The words “On June 25, 1950 North Korea invaded
the South” appear over a backdrop of swirling smoke. It shows the same man again, still kneeling
on the ground as another explosion jars him backwards. Clips of a man clutching his chest in agony on
a battlefield are alternated with happy children splashing in a fountain. A man falls on another, with a burst of sound
overpowering the music, as he protects him from an explosion. The swirling smoke appears again, this time
with the words “From that moment on, nothing would ever be the same”.
The trailer then cuts to a sunlit, cheerful scene of 1950s
South Korea, with children running and women walking across a street, with
happier string music in the background.
As we see two young men jumping onto a bus, a man says, “Samuel Goldwyn presents
the incredible story of two brothers torn apart by a war they did not believe
in”. The two men watch in shock as a
military transport vehicle drives past, filled with men. A train whistles in sync with a soldier’s
whistle of attention. One of the young
men is grabbed by a soldier and we see punches fly as the other young man, his
brother, tries to rescue him. Both
brothers are ultimately trapped on the train as it drives away from the
station. One calls to his mother, while
his family looks on in horror and his mother holds back a young girl from running
after them. Next, we see a formation of
soldiers, including the brothers, in a much dimmer lit room. We watch as they race through a few fighting
scenes and the background voice tells us “they fought for freedom, they fought
for honor, and they fought to find each other… again”. The background voice tells us about the film
director as the two brothers limp towards each other on a battlefield. Scenes flash, of soldiers running up a snowy
hill, soldiers about to shoot a row of captured POWs, a plane crashing into the
ground. Then, the music lightens for a
bit as the characters are shown in happier times while the actors’ names are
introduced. Two dirty, callused hands
from two people are clasped but then slip apart, leading into the final shot, an
old sepia photograph of the two brothers and a young woman posing for a
portrait with the words “Taegugki: The Brotherhood of War” superimposed over it.
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